As recorded music formats repeatedly changed during the past 50 years, we saw the progress that creative destruction can create.
Although yesterday, Academy Award diversity was boosted by Everything Everywhere All at Once, still the numbers are low.
Through new well-being metrics, we can see alternative criteria to which policy makers can respond after the GDP.
Looking behind-the-scenes at women in film jobs, a NY Times critic cites progress from rather dismal figures.
Celebrities like Juston Bieber have monetized future income very differently from government's monetization policies.
Streaming on Apple TV, "Come From Away" tells how the residents of Gander, Newfoundland warmly cared for thousands of unexpected guests.
Faced with hundred of thousands of titles to choose from and what might be called peak TV, our response is surprising.
Offering an option with ads, the new Netflix prices could be compared to low priced basic coffee at Starbucks.
Looking closely at giant panda economists, we see that zoos have undertaken an immense expense that might not be worth it.
Shown by a Christie's auction this week of an an Andy Warhol Marilyn Monroe silkscreen, pricing a painting can be unpredictable.
While our password sharing had been ignored by Netflix, now they've become very aware that they have a free rider problem to solve.
A basic part of Broadway economics is the "cost disease" that plays "catch" from higher wage industries that benefit from more productivity.











